
1920 · The beginnings
The Central School of Arts & Crafts
Dunstan chose the Central School of Arts & Crafts over the Royal College of Art, then learned the trade as assistant to a London goldsmith.
Our heritage · 1920 — today
Over a century of silver and gold — from Dunstan Pruden’s first commission to our Ditchling workshop today.
Begin the storyPrologue
From Dunstan Pruden’s training in the 1920s to Anton and Rebecca founding Pruden & Smith in 1988 — a craft handed down, and still practised at the bench in Ditchling every day.
1923
Dunstan’s first great commission, for Exeter College, Oxford
30+ years
teaching silversmithing in Brighton
1988
Pruden & Smith founded by Anton and Rebecca, in Ditchling
Goldsmith, author and teacher — and the reason our story begins in Ditchling.

1920 · The beginnings
Dunstan chose the Central School of Arts & Crafts over the Royal College of Art, then learned the trade as assistant to a London goldsmith.

1923 · A significant commission
Commissioned by the Rector, the altar cross earned Dunstan £250 — and his name as a master goldsmith.

1932 · Relocation
Dunstan joined the Guild of St Joseph and St Dominic. A year later, St Dominic’s Press — later the Ditchling Press — published his book, Silversmithing.

1934 · Educational leadership
At Brighton School of Art he trained Gerald Benney RDI, Michael Murray and Anthony Elson, and pioneered figurative work made directly in silver.

1959 · Career highlight
Made for the Metropolitan Cathedral in Liverpool — the high point of a remarkable career.
A silversmith and a fine artist. Their paths crossed in the workshop — and in 1988, Pruden & Smith began.

1975 · Inspiration & training
Inspired by Dunstan, Anton trained as a silversmith in Gloucestershire under Angela and Philip Lowery, while Rebecca Smith studied fine art at Farnham.

1988 · Establishment
Anton and Rebecca opened their first workshop at the Turner Dumbrell workshops in Ditchling — traditional craft, contemporary design — and quickly earned a reputation for their skill.

1990 · A significant commission
Three 2-litre silver jugs and a chalice, each hand-chased with a vine-leaf motif.

1994 · International recognition
Rebecca’s silverware sold through Mappin & Webb and showed in galleries across America and Japan. With the Crafts Council, the studio exhibited in San Francisco, New York and London, and at Goldsmiths’ Fair.

1995 · A prestigious commission
The Mace and Chain of Office for the incoming president of Rensselaer Polytechnic Institute, New York.
A new millennium, a new direction: a silversmith’s skills, turned to jewellery.

1999 · A shift to jewellery
Anton and Rebecca turned their silversmithing to jewellery — the organic, textured designs we’re still known for.

2001 · Honoured
Rebecca and Anton were admitted to the Freedom of the Worshipful Company of Goldsmiths.

2002 · A new home
Our gallery and workshop moved to the heart of the village, into the old Ditchling Press building — the same press that published Dunstan’s book, almost seventy years earlier.

2007 · A significant commission
Rebecca designed chalices and ciboria for Francis Pollen’s round church at Worth Abbey, alongside furniture by Thomas Heatherwick.

2009 · Digital presence
Our jewellery went online for the first time, alongside a growing bespoke service.
A head goldsmith, a growing team and a bigger Victorian workshop. Same village, same bench.

2010 · Team expansion
Working alongside Rebecca, Simon helped grow our fine jewellery collections.

2017 · Recognition
Winners of the Muddy Stilettos Award.

2024 · Expansion
We expanded our Ditchling store and Victorian workshop, and grew the team to meet demand.
Chapter V · Yours
Every commission joins this story. Visit the workshop in Ditchling, or begin a bespoke piece with the people who make it.